102 E Thatcher · Edmond, Oklahoma
Take the Tour
Lessons here happen inside a hundred-year-old red schoolhouse. The tour moves through composer rooms and the shared spaces between them, each painted with historic color and filled with art from the school collection.
Historic colors throughout the school
The house before the music school
Built for learning, long before it held music lessons
This 1921 American Foursquare began as the Gregory family home, served generations of college students, and was moved across Edmond before becoming Soltani Music School.
Reverend Noah G. Gregory and Caroline “Carrie” Norman Gregory came to Edmond in 1917 so their children could attend high school and Central State Normal School, now the University of Central Oklahoma. Carrie was enrolled Creek and had been educated at the Wealaka Presbyterian Mission. Noah preached for decades in the Creek and Euchee languages and helped establish the Euchee Mission school near Sapulpa.
The Gregorys bought a corner lot at Broadway and Campbell in 1917. In October 1921, the Edmond Enterprise reported that N. G. Gregory had begun an “elegant two-story residence” there, the boxy, welcoming American Foursquare that still frames these rooms today.
For nearly three decades, the house also welcomed Central State students. Before the college opened dormitories in 1937, Carrie advertised “nice rooms for eight girls” with hot and cold water. The front rooms held family weddings, community meetings, meals, and the everyday life of a busy boarding home.
The Gregory family retained the property until 1964. By the 1980s and 1990s it was again serving Edmond’s civic and arts community, hosting events before the entire house was relocated to its present site in 1996. A home built by educators and shaped by hospitality now shelters another generation of students.
History researched from Edmond-area newspapers, property deeds, census records, family memorials, and published local history, 1917–1996.
Outside the school
Architecture & Signage
Before the tour moves indoors, the school’s exterior introduces the same visual world found throughout the building. Jeff Bowman of Oklahoma City created the logo, signage, pole banners, and composer door nameplates. Andrea Soltani directed the artwork and design of the building, shaping its colors, rooms, and collection into one experience.
7 works
Architecture
The Wrap-Around Front Porch
American Foursquare, built 1921
Brick piers · tapered square columns · trim in Capitol White CW-10 · turns the corner of the house
Why it mattersThe Foursquare's porch was its handshake: deep enough for chairs, wide enough for a family, and strong enough to carry the roofline out over the steps. On this house it turns the corner, so it reads from the street and from the side walk alike. Brick piers anchor tapered square columns in the same plain, confident language as the cube behind them. Boarders in the 1920s came and went through here; today it is the first thing every family sees.
School collection photograph
No. 01
Exterior Pole Banners · Four-Face Collection
Jeff Bowman
Violin, piano, guitar, and cello pole-banner faces created for Soltani Music School
Why it hangs hereFour coordinated street banners carry the school’s identity into downtown Edmond, one instrument at a time.
Original signage and branding by Jeff Bowman of Oklahoma City
No. 02
Soltani Music School Logo
Jeff Bowman, Oklahoma City
Primary full-color logo and wordmark created for Soltani Music School
Why it hangs hereJeff Bowman’s logo gives the school one recognizable mark across the building, signs, banners, and doors.
Logo and visual identity by Jeff Bowman, Oklahoma City; original digital artwork
No. 03
Composer Door Nameplates
Jeff Bowman, Oklahoma City
Custom metal nameplates identifying the composer rooms; the Gershwin Room is shown here in context with its portrait and green door
Why it hangs hereSeven individually lettered nameplates announce the composer rooms before the doors ever open.
Door nameplates and branding by Jeff Bowman, Oklahoma City; school archive photograph
No. 04
Stained-Glass Front Entry
Architectural feature; design direction by Andrea Soltani
Front door with geometric stained-glass transom, sidelights, and arched door light
Why it hangs hereStained glass turns the front entry into the building’s first lesson in color, light, and pattern.
School archive photograph; building art and design directed by Andrea Soltani
No. 05
Interior French Doors
Architectural feature; design direction by Andrea Soltani
Glazed double doors with brass lever hardware between the central hall and the Debussy Conservatory
Why it hangs hereThe interior French doors share light between rooms while keeping each teaching space distinct.
School archive photograph; building art and design directed by Andrea Soltani
No. 06
Decorative Brass Switch Plate
Architectural feature; design direction by Andrea Soltani
Cast ornamental switch plate with scrolling relief, installed in the Tchaikovsky Room
Why it hangs hereEven a working light switch becomes part of the building’s decorative rhythm.
School archive photograph; building art and design directed by Andrea Soltani
No. 07
Original House Door Knob and Escutcheon
Maker unrecorded
Decorative metal knob, floral backplate, keyhole, and original mounting hardware on a painted interior door; exact maker and date unconfirmed
Why it hangs hereAn everyday touch point carries the former house into its present life as a music school.
Original building feature preserved by Soltani Music School; architectural and decorative design direction by Andrea Soltani
Tap any artwork to open its full museum plaque
Stop 1 of 9
Lobby
This is the first thing you see when you walk in. That rose color keeps going all the way up the staircase. There's a cellist playing out in the rain on this wall, and it's the one families ask about most.

No. 08
Le violoncelle sous la pluie, Paris (The Cello in the Rain)
Robert Doisneau
French · April 14, 1912 – April 1, 1994 · 1957 · Gelatin silver print (photograph) · Paris, France (subject is French musician Maurice Baquet)
Why it hangs hereMaurice Baquet protects his cello from a Paris downpour in Robert Doisneau’s witty 1957 photograph.
Photographed and scanned here at the school · © Atelier Robert Doisneau; the photograph is still in copyright and is shown here as a school reproduction
No. 09
The Music Lesson / Two Women at a Piano
Attributed in the school catalogue to Frederic Kimball Mizen
School collection print; exact source work, date, medium, edition, and attribution not yet independently confirmed
Why it hangs hereTwo women share a piano bench in a scene that mirrors the daily work of teaching and learning.
Photographed and scanned here at the school
No. 10
Summer Flowers (Fleurs d'été)
Henri Fantin-Latour
French · 1836–1904 · 1880 · Oil on canvas · The Metropolitan Museum of Art (The Met), New York
Why it hangs hereFantin-Latour’s garden flowers bring a quiet, carefully observed welcome to the Lobby.
High-resolution public-domain scan
No. 11
Cello Detail Wall Art
Maker unrecorded
Decorative cello detail image with presentation plaque · Physical dedication plaque: “To Mr. Soltani, An Extraordinary Instructor. Thank you for sharing your gift with the world. Love, Javi & Jeff.”
Why it hangs hereA close study of the cello carries a personal thank-you from two students to their instructor.
School catalogue photograph
No. 12
Painted Cabinet
Maker unrecorded
Decorative painted wooden cabinet with paneled doors and aged surface
Why it hangs hereA painted cabinet makes practical storage feel settled, useful, and at home in the Lobby.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 13
Coffee Bar Sideboard
Maker unrecorded
Dark wooden sideboard with central drawer, paneled doors, turned front supports, and open lower shelf; maker and date unconfirmed
Why it hangs hereA working coffee station continues the building's long tradition of welcoming people through its doors.
Soltani Music School collection; selection and placement by Andrea Soltani
No. 14
Floral Tapestry Armchair
Maker unrecorded
Wooden armchair upholstered in a richly patterned floral tapestry
Why it hangs hereRich floral upholstery gives this wooden armchair the color and presence of a small garden.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 15
Pink Damask Wingback Chair
Maker unrecorded
High-backed wooden chair with pink damask upholstery
Why it hangs hereA tall pink damask chair gives the Lobby a formal silhouette without losing its sense of home.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 16
Five-Globe Chandelier
Maker unrecorded
Brass-toned ceiling fixture with five milk-glass globes
Why it hangs hereFive pale globes gather warm light into one of the Lobby’s defining overhead shapes.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 17
Bearthoven, Our School Teddy Bear
Maker unrecorded; display arranged by Soltani Music School
School welcome display · Teddy bear, miniature violin case, music stand, and sheet music · Date and maker unrecorded
Why it hangs hereBearthoven welcomes young musicians from the Lobby in his school T-shirt, ready beside his violin case, stand, and music.
Soltani Music School collection
No. 18
Child's Floral Chair
Maker unrecorded
Small carved wooden chair with rose-patterned upholstered seat
Why it hangs hereA child-sized chair repeats the Lobby’s floral language at exactly the right scale for young visitors.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 19
Leather-Top Writing Desk
Maker unrecorded
Bow-front wooden writing desk with tooled leather top and brass drawer pulls
Why it hangs hereA leather writing surface gives this curved-front desk equal weight as furniture and working object.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 20
Beaded-Fringe Table Lamp
Maker unrecorded
Ornate table lamp with mottled glass shade, beaded fringe, and cast metal base
Why it hangs hereMottled glass and hanging beads turn this working lamp into a small pool of theater.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 21
Marble and Brass Table Lamp
Maker unrecorded
Table lamp with green marble sections, brass fittings, and fabric shade
Why it hangs hereGreen stone, brass-toned fittings, and a fabric shade give this tall lamp a calm balance of color.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 22
Framed Riverfront Photograph
Maker unrecorded
Black-and-white riverfront view in a raised floral frame
Why it hangs hereAn unidentified riverfront photograph becomes a keepsake through its deeply modeled floral frame.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 23
Stained-Glass Panel
Maker unrecorded
Framed leaded-glass panel with rose, lavender, clear, and beveled geometric elements
Why it hangs hereTextured glass, beveled pieces, and soft color make this panel responsive to every change in light.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 24
Neoclassical Side Table
Maker unrecorded
Burl-wood side table with inlaid panels, single drawer, and tapered legs
Why it hangs hereInlay, patterned wood, and tapered legs give this small table more detail than its size first suggests.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 25
Sage-Green Tufted Velvet Sofa
Maker unrecorded
Three-seat sage velvet sofa with camelback, deep button tufting, and gold trim
Why it hangs hereSage velvet and deep tufting make the Lobby sofa both a visual anchor and a place to settle in.
Soltani Music School collection; catalogue image reconstructed from a new school photograph
No. 26
Floral Vine Lobby Rug
Maker unrecorded
Ivory-ground hooked rug with muted floral vines and a wide blossom border
Why it hangs hereFlowering vines spread across an ivory ground, linking the Lobby’s many colors underfoot.
Soltani Music School collection; catalogue image reconstructed from a new school photograph
Stop 2 of 9
The Debussy Conservatory
This was the dining room back when the house was a home. Now it's a soft blue, with Monet, Renoir, Twachtman, and Childe Hassam on the walls. You don't have to know anything about art to enjoy them. Just look.
No. 27
Portrait de Claude Debussy (Portrait of Claude Debussy)
Pierre Louÿs; school print after his 1894 photograph
1894 photograph · School reproduction · Bibliothèque nationale de France, Gallica ark:/12148/btv1b52505175k (record title: [Claude Debussy debout chez Pierre Louÿs])
Why it hangs herePierre Louÿs caught his friend Claude Debussy in 1894, quietly self-possessed at the center of the room that now bears his name.
High-resolution public-domain scan

No. 28
The Artist's Garden at Vétheuil
Claude Monet
French · 1840–1926 · 1881 (the canvas is dated 1880 by the artist) · Oil on canvas · National Gallery of Art, Washington, D.C., 1970.17.45
Why it hangs hereMonet turns a family garden at Vétheuil into a staircase of sun, flowers, and motion.
High-resolution public-domain scan
No. 29
A Girl with a Watering Can
Pierre-Auguste Renoir
French · 1841–1919 · 1876 · Oil on canvas · National Gallery of Art, Washington, D.C.
Why it hangs hereRenoir gives a young gardener the seriousness of a portrait and the brightness of a summer afternoon.
High-resolution public-domain scan
No. 30
Coastal landscape (exact title unverified)
Attributed in the school catalogue to Frederick Childe Hassam
School collection print; exact title, artist, date, original medium, and source image remain under review
Why it hangs hereA bright coast and open water bring a breath of the Atlantic into Debussy's blue conservatory.
School collection photograph; attribution under review
No. 31
The White Bridge
John Henry Twachtman
American · 1853–1902 · Circa 1895 · Oil on canvas · Minneapolis Institute of Art, 14.114
Why it hangs hereTwachtman's pale bridge nearly dissolves into the winter air, leaving structure and atmosphere in perfect balance.
High-resolution public-domain scan
No. 32
Young Girls at the Piano
After Pierre-Auguste Renoir; exact version under review
School reproduction after Renoir's piano subject; the Metropolitan Museum's version is Two Young Girls at the Piano, 1892, Robert Lehman Collection 1975.1.201; which of the five canvases this print follows is not confirmed
Why it hangs hereTwo young musicians share a score at the piano, turning practice into a scene of companionship.
High-resolution public-domain scan
No. 33
In the Meadow (Dans la prairie)
Pierre-Auguste Renoir
French · 1841–1919 · c. 1888–1892 · Oil on canvas · The Metropolitan Museum of Art, New York City
Why it hangs hereRenoir follows two girls into a meadow, where looking, gathering, and conversation become the whole event.
High-resolution public-domain scan
No. 34
Antique Wall Telephone
Maker unrecorded
Early wall-mounted oak telephone with separate receiver, twin bells, mouthpiece, and writing shelf; manufacturer and exact date unconfirmed
Why it hangs hereOak, bells, a crank, and a separate receiver make communication visible as a piece of machinery.
School catalogue photograph; background removed and perspective corrected
No. 35
Portrait of an Unidentified Gentleman
Photographer unknown
Sepia photographic portrait on card stock; sitter, studio, and date unconfirmed
Why it hangs hereAn unnamed gentleman survives through posture, clothing, and the worn surface of a small photograph.
School catalogue photograph; background removed and perspective corrected
No. 36
Stained-Glass Floor Lamp
Maker unrecorded
Decorative floor lamp with geometric floral stained-glass shade, twin pull chains, fluted stem, and ornate circular base
Why it hangs hereAmber, cream, blue, and orange glass turn a practical floor lamp into a pool of colored light.
School catalogue photograph; background removed and perspective corrected
No. 37
External-Horn Phonograph
Maker and model unrecorded
Early sound-reproduction machine with oak cabinet, exposed turntable, reproducer, tone arm, and flared metal horn; exact maker and date under review
Why it hangs hereA needle, diaphragm, and great metal horn turn a record groove into audible music without an electronic speaker.
School catalogue photograph; background removed and perspective corrected
No. 38
Small Wooden Cabinet
Maker unrecorded
Compact wooden cabinet with paneled door, drawer, and aged finish
Why it hangs hereA small paneled cabinet keeps its usefulness plain and lets years of wear provide the ornament.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 39
Spindle-Back Chair
Maker unrecorded
Wooden side chair with turned spindles and shaped seat
Why it hangs hereTurned spindles repeat across this wooden chair like a measured pattern with just enough variation.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 40
Floral Glass Chandelier
Maker unrecorded
Hanging light fixture with flower-shaped glass shades and brass-toned metalwork
Why it hangs hereFlower-shaped glass shades suspend warm points of light above the pale blue room.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 41
Ornate Gilt Mirror
Maker unrecorded
Tall shaped mirror in an elaborate gilt frame
Why it hangs hereThe gilt frame does more than surround a reflection; its scrolling outline becomes the main event.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 42
Tufted Cane Armchair
Maker unrecorded
Upholstered armchair with button tufting, cane side panels, and carved wooden frame
Why it hangs hereButton tufting, woven cane, and carved wood make this armchair feel substantial without becoming visually heavy.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 43
Persian-Style Rug
Maker unrecorded
Decorative woven rug with central medallion, floral field, and patterned borders
Why it hangs hereA central medallion and layered floral borders give the room a dense, grounded field beneath the furniture.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 44
Mixed Umbrella-Plant Planter
Living collection
Terracotta planter containing umbrella-plant foliage and companion growth
Why it hangs hereUmbrella-like leaf clusters rise from a mixed terracotta planting, loose, green, and deliberately alive.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 45
Variegated Croton
Living collection
Healthy variegated croton in a simple dark planter
Why it hangs hereCroton leaves carry green, gold, orange, and red at once, making color itself the plant's subject.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 46
Mixed Succulent Planter
Living collection
Low terracotta bowl planted with several varieties of rosette and trailing succulents
Why it hangs hereSeveral rosette and trailing succulents share one shallow bowl, forming a compact landscape of leaf shapes.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 47
Begonia
Living collection
Colorful begonia with silver, green, and burgundy foliage in a terracotta pot
Why it hangs hereSilver, green, burgundy, and red pattern the begonia's leaves more intricately than many painted surfaces.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 48
Jade Plant
Living collection
Mature branching jade plant in a dark pot
Why it hangs hereA woody trunk and dense oval leaves give this jade plant the scale and presence of a miniature tree.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 49
Monstera
Living collection
Monstera trained on a coir support in a pale textured planter
Why it hangs hereLarge split leaves climb a coir support, giving the monstera a bold, architectural silhouette.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 50
Spider Plant
Living collection
Variegated spider plant with arching leaves and plantlets
Why it hangs hereStriped leaves arch outward while young plantlets hang below, turning propagation into ornament.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 51
Lucky Bamboo
Living collection
Curving canes of lucky bamboo in a terracotta pot
Why it hangs hereCurving canes and narrow leaves make the lucky bamboo read like a few confident strokes of green ink.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 52
Rubber Plant
Living collection
Dark-leaved rubber plant displayed in a raised textured planter
Why it hangs hereBroad, glossy leaves give the rubber plant a dark sculptural weight above its raised planter.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 53
Golden Pothos
Living collection
Trailing pothos trained over a slender support
Why it hangs hereHeart-shaped leaves descend in a loose green cascade, softening the stand that supports them.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 54
Variegated Philodendron
Living collection
Striped-leaf philodendron in a white cylindrical planter
Why it hangs hereFine cream striping crosses each dark leaf with the precision of hand-drawn lines.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 55
Arts-and-Crafts Oak Phonograph Table
Maker unrecorded
Narrow dark-oak side table with geometric rails, slatted sides, and record shelf
Why it hangs hereSquare rails, slatted sides, and a record shelf give this phonograph table structure without fuss.
Soltani Music School collection; catalogue image reconstructed from a new school photograph
No. 56
Small Child’s Spindle-Back Chair
Maker unrecorded
Dark-stained child-size wooden chair with shaped seat and four spindle back
Why it hangs hereA genuinely child-sized spindle chair keeps every scratch and paint fleck from its practical life.
Soltani Music School collection; catalogue image reconstructed from a new school photograph
Stop 3 of 9
Tchaikovsky Room
Deep Prussian blue, with portraits, engravings, decorative objects, and a whole Nutcracker corner.
No. 57
Photographic Portrait of Pyotr Ilyich Tchaikovsky
E. Bieber photographic studio, Hamburg; photographer probably Leonard Berlin
6/18 January 1888 · Photographic portrait · School reproduction displayed in its authentic curved black frame
Why it hangs hereMade during Tchaikovsky's 1888 European tour, this Hamburg studio portrait is the likeness visitors meet at the room entrance.
Soltani Music School collection; reproduction after the 1888 E. Bieber studio portrait

No. 58
Octagonal Miniature Roundels (Pair)
Artists unconfirmed; one scene traditionally associated with Nicolas Lancret
Companion octagonal garden and pastoral scenes in matching frames; artists, dates, media, and source images unconfirmed
Why it hangs hereTwo octagonal scenes, one courtly and one pastoral, become a single conversation through matching frames.
School collection photograph; attribution remains unresolved
No. 59
The Little Fruit Seller
Bartolomé Esteban Murillo
Spanish · 1618–1682 · Circa 1670/75 (original) · Porcelain miniature reproduction (original medium: oil on canvas) · Original: The Little Fruit-Seller, Alte Pinakothek, Munich, Inv. 497
Why it hangs hereA porcelain miniature carries Murillo's two young fruit sellers into an intimate, jewel-like scale.
Photographed and scanned here at the school
No. 60
The Music Room
Mihály Munkácsy
Hungarian · 1844–1900 · 1878 · Oil on wood · The Metropolitan Museum of Art, New York City
Why it hangs hereMunkácsy opens the doors on a Paris apartment where furnishings, sociability, and live music share the stage.
High-resolution public-domain scan
No. 61
Sunlit Mountain and Water Landscape
Artist unrecorded
Large framed color landscape above the upright piano; artist, title, date, and medium unconfirmed
Why it hangs hereA radiant sky breaks over dark mountains and water above the Tchaikovsky Room piano.
Soltani Music School collection; authentic frame and artwork rectified from a school room photograph
No. 62
Nut-cracker Proclaims His Victory Over Mouse King
Probably Albert H. Jocelyn, engraver; final visual match pending
Wood engraving from the 1853 New York edition of Hoffmann's Nutcracker story; final image-level match pending
Why it hangs hereThe Nutcracker stands victorious over the Mouse King in the tale that became Tchaikovsky's ballet.
School collection object photograph; public-domain reference also catalogued
No. 63
Motoring Couple
Photographer unknown
Unidentified couple with motorcar; place, date, photographer, and photographic process unverified
Why it hangs hereAn unidentified couple pauses beside an early motorcar, dressed for an occasion whose story has been lost.
Photographed and scanned here at the school
No. 64
Portrait of a Young Boy
Photographer unknown
Portrait photograph of an unidentified boy; studio, place, date, process, and any hand coloring unverified
Why it hangs hereA young boy meets the camera in formal clothes, serious and composed for a moment meant to last.
Photographed and scanned here at the school
No. 65
Portrait Miniature traditionally identified as Adelina Patti
Unsigned reproduction
Lithographic print under convex glass; sitter attribution unverified
Why it hangs hereA tiny opera portrait carries a celebrated name, but the sitter's identity still needs documentary proof.
School collection photograph; sitter attribution under review
No. 66
Red Transferware Tableware Collection
Makers unrecorded
Four red transferware plates with a coordinating teacup and saucer
Why it hangs hereFour red-patterned plates and a coordinating cup and saucer turn tableware into a collected wall composition.
Photographed and scanned here at the school
No. 67
Carved plaque of instruments
Maker unrecorded
Why it hangs hereA violin, horn, and unfurled music are carved into one compact emblem of performance.
Photographed and scanned here at the school
No. 68
Nutcracker
Maker unrecorded
Why it hangs hereA decorative nutcracker stands beneath the story image, turning the room's most famous ballet into an object at hand.
Photographed and scanned here at the school
No. 69
Matryoshka doll
Maker unrecorded
Why it hangs hereA brightly painted nesting doll brings repetition, surprise, and Russian visual tradition into one small figure.
Photographed and scanned here at the school
No. 70
Portrait Miniature of a Woman
Artist unknown
Why it hangs hereAn unknown woman's likeness survives at miniature scale, intimate enough to feel almost private.
Photographed and scanned here at the school
No. 71
Studio Portrait of Three Unidentified Sitters
Photographer unknown
Oval portrait photograph mounted on an embossed gray card; sitters, studio, place, date, and process unconfirmed
Why it hangs hereTwo elaborately hatted women flank a seated man in an unidentified studio portrait whose worn mount remains part of the object.
Soltani Music School collection; high-resolution school catalogue photograph
No. 72
Portrait of an Unidentified Seated Woman
Photographer unknown
Sepia portrait card of a seated woman; sitter, studio, place, date, and process unconfirmed
Why it hangs hereA seated woman’s lace collar, pendant, folded hands, and steady gaze survive in a softly faded photographic card.
Soltani Music School collection; high-resolution school catalogue photograph
No. 73
Portrait of an Unidentified Woman and Child
Photographer unknown
Faded oval portrait mounted on a gray card; sitters, studio, place, date, and process unconfirmed
Why it hangs hereA woman holds a small child in a faded oval portrait preserved with its scuffed gray mount.
Soltani Music School collection; high-resolution school catalogue photograph
No. 74
Roman-Numeral Wall Clock
Maker unrecorded
Round wall clock with an aged gold-toned rim, black inner ring, cream Roman-numeral dial, and top hanging loop; the face reads LONDON and NO. 79; maker and date unconfirmed
Why it hangs hereA compact Roman-numeral clock brings measured rhythm to the Tchaikovsky Room wall.
Soltani Music School collection; source-faithful museum crop from an authentic school room photograph
No. 75
Leather-Top Side Table
Maker unrecorded
Small wooden side table with green tooled-leather inset and fluted legs
Why it hangs hereA green tooled-leather inset gives this small side table a richly finished surface at close range.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 76
Oval Side Table Display
Makers unrecorded
Small dark-wood oval side table with shaped edge and turned supports, displayed with red transferware, three worn books, a brass chamber candlestick, and a round traveling hatbox
Why it hangs hereA compact oval table turns a corner of the Tchaikovsky Room into a deliberate domestic vignette.
Soltani Music School collection; authentic in-room museum vignette
No. 77
Brass Chamber Candlestick
Maker unrecorded
Low brass candleholder with broad drip pan and ring handle
Why it hangs hereA broad drip pan and ring handle make this low brass candlestick as practical as it is decorative.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 78
Brass and Glass Chandelier
Maker unrecorded
Three-light brass chandelier with floral glass shades and crystal accents
Why it hangs hereThree floral glass shades and crystal accents turn warm room light into a small overhead spectacle.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 79
Round Traveling Hatbox
Maker unrecorded
Vintage round case with woven body, leather straps, metal fittings, and handle
Why it hangs hereA round woven case with leather straps preserves the shape of an earlier, highly specific kind of luggage.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 80
Sheet-Music Bookcase
Maker unrecorded
Tall double bookcase with drawers, filled with scores, method books, and teaching materials
Why it hangs hereScores and teaching books fill this double bookcase with the working life of the room.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 81
Paisley Textile
Maker unrecorded
Printed cream textile with blue-and-rust boteh motifs, floral border, and fringe
Why it hangs hereBlue-and-rust boteh forms repeat across cream cloth, then dissolve into a floral border and fringe.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 82
Tasseled Curtain Set
Maker unrecorded
Dark drapery with swagged valance, contrasting trim, tassels, and gold tiebacks
Why it hangs hereAn asymmetrical blue curtain set uses white under-curtain, braid, tassels, and unequal lengths for deliberate drama.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 83
Bentwood Cane-Seat Chair
Maker unrecorded
Curved wooden side chair with open-scroll back and woven cane seat
Why it hangs hereA looping bentwood back and woven cane seat keep this side chair light, graceful, and useful.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 84
Red Medallion Rug
Maker unrecorded
Patterned red rug with central medallion and layered ornamental borders
Why it hangs hereDeep red, a central medallion, and layered borders give the Tchaikovsky Room its visual ground.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 85
Vintage Yamaha Upright Piano and Bench
Yamaha Corporation
Warm walnut upright piano with geometric wooden music desk and matching bench
Why it hangs hereA warm walnut Yamaha upright turns sculptural cabinetwork into a working instrument for daily lessons.
Soltani Music School collection; catalogue image reconstructed from new school photographs
No. 86
White Piano Vase
Maker unrecorded
Matte white vessel with rounded body and stepped neck, holding dried eucalyptus and two yellow spherical flower heads; material, maker, and date unconfirmed
Why it hangs hereA sculptural white vase provides a bright pause among the piano's darker books, portraits, and wood.
Soltani Music School collection; authentic in-room museum vignette
No. 87
Clear-Glass Piano Lamp
Maker unrecorded
Clear-glass lamp with a tall chimney, cut-pattern vessel-shaped base, metal burner, control, and exposed wick; maker, date, and original fuel configuration unconfirmed
Why it hangs hereA transparent lamp form catches the Tchaikovsky Room's light above the piano.
Soltani Music School collection; authentic in-room source vignette
No. 88
Trailing Heartleaf Houseplant
Plant species and pot maker unrecorded
Trailing green heart-shaped foliage in a worn terracotta pot and aged translucent plastic saucer; species and cultivar unconfirmed
Why it hangs hereA trailing plant brings a living, changing form into the room’s arrangement of wood, glass, paper, and porcelain.
Soltani Music School collection; placement and room design by Andrea Soltani
Stop 4 of 9
Waiting Area
This is where parents and siblings wait during a lesson. We filled it with art and small objects on purpose. Nobody should have to sit and stare at a blank wall for half an hour.

No. 89
Amboise, La rue des Chapeliers en 1915
Attributed in the school catalogue to Jean-Louis Guitard
School collection print; exact title, artist, date, medium, and edition not independently confirmed
Why it hangs hereA French street view gives waiting families a small place to wander without leaving the room.
School collection photograph
No. 90
Dancing to the Violin (Tanz zur Geige)
Traditionally attributed to Gottfried Mind
School collection print; exact work and attribution remain unverified
Why it hangs hereA fiddler sets the room in motion as children and adults answer the music with dance.
School collection photograph; attribution under review
No. 91
Costumes for a Bridal Reception
Unattributed illustrator
February 1857 · Steel fashion plate from Godey's Lady's Book
Why it hangs hereGodey’s February 1857 fashion plate presents a bride, bridesmaid, sister, and guest as a coordinated reception scene.
Photographed and scanned here at the school
No. 92
Godey's Fashions
Unattributed illustrator; Godey's identification under review
School collection fashion plate associated with Godey's Lady's Book; exact issue, illustrator, engraver, date, and process not yet confirmed
Why it hangs hereA hand-colored fashion image brings nineteenth-century print culture into the school’s shared family space.
Photographed and scanned here at the school
No. 93
Fashion Plates (Pair)
Illustrators unattributed
La Mode Illustrée and Godey’s Fashions in their original school frames
Why it hangs hereTwo fashion plates from French and American periodicals are displayed as a conversation across the Atlantic.
School catalogue photograph
No. 94
Domestic Music Lesson (framed print)
Artist unknown
Framed domestic music scene; artist, date, and medium unconfirmed
Why it hangs hereA quiet keyboard lesson lets the Waiting Area echo the teaching happening on the other side of its doors.
School catalogue photograph
No. 95
Portrait Miniatures of Women (Pair)
Artist unknown
Pair of small oval portrait images in matching ornate gilt frames; sitters, artist, date, and technique unconfirmed
Why it hangs hereTwo oval portraits share matching scale and framing, preserving the intimacy of a companion set.
School catalogue photograph
No. 96
Medium Green Leather-Top Table
Maker unrecorded
Medium rectangular dark-wood table with green leather inset, faded gilt tooling, shallow apron, and four fluted legs
Why it hangs hereThe middle-sized table in a matching set connects the Waiting Area to the Tchaikovsky Room.
Soltani Music School collection; catalogue reconstruction from school photographs
No. 97
Decorative Floral Mirror
Maker unrecorded
Ornamental framed mirror with floral decoration
Why it hangs hereA floral mirror gathers the people, movement, and changing light of the Waiting Area into its own frame.
School catalogue photograph
No. 98
Bust of Johann Sebastian Bach
Maker unrecorded
Decorative composer bust
Why it hangs hereA small bust of Johann Sebastian Bach keeps the school’s longest musical history close to everyday family life.
School catalogue photograph
No. 99
Decorative Desk Bell
Maker unrecorded
Small engraved metal bell with braided hanging cord
Why it hangs hereA compact metal bell turns a simple signal into one of the Waiting Area’s smallest decorative objects.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 100
Hexagonal Brass Candlestick
Maker unrecorded
Tall brass candlestick with hexagonal base and suspended decorative weight
Why it hangs hereFaceted brass-toned geometry gives this slender candlestick a strong base and a lively hanging detail.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 101
Carved Open-Back Armchair
Maker unrecorded
Dark wooden armchair with carved splat, scrolling arms, cabriole legs, and pale upholstered seat
Why it hangs hereOpen carving and curved legs keep this substantial armchair from feeling visually heavy.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 102
Pressed-Glass Oil Lamp
Maker unrecorded
Clear glass reservoir and chimney on an ornate dark metal base with brass burner
Why it hangs hereClear glass reveals the working structure of a lamp made in the traditional oil-lamp form.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 103
Opaline Ceiling Light
Maker unrecorded
Brass-toned ceiling fixture with broad pale glass shade
Why it hangs hereA broad pale glass shade spreads soft light across a room built for waiting, reading, and listening.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 104
Cane-Seat Settee
Maker unrecorded
Wooden two-seat bench with open splats, turned supports, arms, and woven cane seat
Why it hangs hereRepeated back panels give this compact cane-seat settee the visual rhythm of two chairs joined together.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 105
Green-Top Occasional Table
Maker unrecorded
Small turned-leg table with green inset top and lower shelf
Why it hangs hereA green inset top gives this small turned-leg table one concentrated field of color.
School catalogue photograph; background removed, perspective corrected, and color balanced
Stop 5 of 9
The Bach Piano Suite
Our piano suite, painted a deep plum. Portraits, prints, and composer objects gather around the piano. We wanted the room to feel like the music that gets played in it.
No. 106
Portrait of Johann Sebastian Bach
Elias Gottlob Haussmann
German · 1695–1774 · 1746 (Stadtgeschichtliches Museum Leipzig, Altes Rathaus) and 1748 (Bach-Archiv Leipzig, Scheide bequest 2015) · Oil on canvas
Why it hangs hereBach meets our gaze while holding the six-voice canon that identifies both the composer and his craft.
High-resolution public-domain scan

No. 107
White Tonal Room Rug
Maker unrecorded
Large warm-white rug with a subtle raised scroll-and-floral texture
Why it hangs hereA warm-white rug uses raised pattern rather than strong color to quiet the center of the piano suite.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 108
Asymmetric Antique-Gold Window Drape
Maker unrecorded
Muted antique-gold swag and deliberately uneven side panels on a metal rod; no sheer underlayer
Why it hangs hereAn intentionally uneven antique-gold drape turns a window into an asymmetrical composition.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 109
Distressed Spindle-Back Armchair
Maker unrecorded
Tall painted wooden armchair with a carved crest, turned spindles, curved arms, and olive-gold upholstered seat
Why it hangs hereA tall spindle-back armchair combines worn dark paint, turned wood, and an olive-gold upholstered seat.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 110
Small Distressed Side Table
Maker unrecorded
Compact dark-painted tray-top table with turned supports and a stretcher base
Why it hangs hereA compact distressed table gives a small group of objects its own stage beside the Bach room chair.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 111
Pair of Brass Candlesticks
Maker unrecorded
Matched low brass candlesticks with tall ivory taper candles
Why it hangs hereTwo low brass candlesticks add a restrained pool of gold to the room's darker palette.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 112
Brass Candle-Arm Chandelier
Maker unrecorded
Aged brass ceiling fixture with curved arms, ivory sleeves, and flame-shaped bulbs
Why it hangs hereCurved brass arms and flame-shaped bulbs give this chandelier the warmth of candlelight without pretending to be antique.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 113
Musical Group on a Balcony
Gerrit van Honthorst
Dutch · 1590–1656 · 1622 · Oil on panel · The J. Paul Getty Museum, Los Angeles, 70.PB.34
Why it hangs hereHonthorst turns a group performance into an architectural surprise as musicians lean over a painted balcony.
High-resolution public-domain scan
No. 114
The Music Lesson (framed reproduction)
Artist unknown
Framed reproduction of a domestic music lesson; source work unconfirmed
Why it hangs hereA teacher and pupil share a domestic music lesson, but the source painting has not yet been identified.
School catalogue photograph
No. 115
Capriccio with St. Paul's and Old London Bridge
Antonio Joli
Italian · 1700–1777 · ca. 1745 · Oil on canvas · The Metropolitan Museum of Art, New York, 1970.212.2
Why it hangs hereJoli joins an imaginary classical stage set to a recognizable eighteenth-century view of London.
High-resolution public-domain scan
No. 116
Architectural Capriccio with Roman Ruins and Figures, a matched pair of panels
Attributed in the school catalogue to Giovanni Paolo Panini
Matched architectural capriccio pair; exact authorship, date, medium, and provenance remain unconfirmed
Why it hangs hereA matched pair of architectural fantasies uses repeated ruins, arches, and figures to create a visual conversation.
Photographed and scanned here at the school
No. 117
Untitled
Artist unknown
Etching or engraving (black-and-white print)
Why it hangs hereAn unidentified black-and-white print stages an enigmatic interior around a clock, chandelier, and costumed figures.
Photographed and scanned here at the school
No. 118
Portrait of a Young Pilgrim (Jeune Pèlerin)
After Alexis Grimou (French, 1678–1733)
School reproduction of Grimou's Jeune pèlerin: Uffizi, Florence, 1725 (oil on canvas), with a signed 1732 replica at the Musée des Beaux-Arts de Bordeaux (Bx E 386); which version the print follows is not confirmed
Why it hangs hereA young pilgrim meets the viewer in costume and shadow, part of Alexis Grimou's world of theatrical half-length figures.
High-resolution public-domain scan
No. 119
Young Pilgrim Girl
Alexis Grimou (French, 1678–1733)
Young Pilgrim Girl · 1725–26 · Oil on canvas, 82 × 64 cm · Uffizi, Florence; entered the gallery in 1793 together with its pendant, the pilgrim boy · School reproduction
Why it hangs hereThe pilgrim girl answers the neighboring boy through a related pose, warm palette, and dramatic light.
High-resolution public-domain museum scan
No. 120
Lute Player
Valentin de Boulogne
French · 1591–1632 · ca. 1625–1626 · Oil on canvas · The Metropolitan Museum of Art, New York, 2008.459
Why it hangs hereA lone musician reads lute tablature in Valentin de Boulogne's concentrated, dramatically lit scene.
High-resolution public-domain scan
No. 121
Framed Textile Cityscape
Maker unrecorded
Framed textile image of a city beside water, with boats, towers, bridge, and figures; subject, technique, maker, and date unconfirmed
Why it hangs hereTiny repeated marks build a wide city view, much as individual musical lines build a larger whole.
Soltani Music School collection; selection, framing, and placement by Andrea Soltani
No. 122
Composer Bust Collection
Maker unrecorded
Group of decorative composer busts
Why it hangs hereA shelf of composer busts turns musical history into a small gathering of faces.
School catalogue photograph
No. 123
Brass Lyre Music Stand
Maker unrecorded
Decorative brass floor music stand with lyre-shaped desk
Why it hangs hereA lyre-shaped brass stand makes a practical tool part of the room's decorative composition.
Soltani Music School collection; catalogued from the authentic object in the school
Stop 6 of 9
The Mozart Parlor
A small bedroom in King's Red, layered with portraits, porcelain, and the feeling of music made at home.
No. 124
Portrait of Wolfgang Amadeus Mozart
Barbara Krafft
Austrian · 1764–1825 · 1819 · Oil on canvas · Gesellschaft der Musikfreunde (Society of Friends of Music), Vienna, Austria
Why it hangs hereMozart's best-known likeness was painted after his death with help from earlier family images and his sister's recollections.
High-resolution public-domain scan

No. 125
Red Medallion Room Rug
Maker unrecorded
Large deep-red rug with repeated blue-and-ivory oval medallions, narrow geometric borders, and pale fringe
Why it hangs hereDeep red, blue, and ivory medallions establish the Mozart Parlor's central field of color.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 126
Burgundy and Gold Curtain Treatment
Maker unrecorded
One-sided floor-length burgundy and gold window treatment with swagged valance, tieback, rod, and finials
Why it hangs hereOne floor-length panel and its layered valance frame the Mozart Parlor window from a single side, exactly as installed in the room.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 127
Compact Wooden Harpsichord
Maker unrecorded
Warm brown harpsichord with open lid, simple music desk, single keyboard, and stretchered legs
Why it hangs hereA compact wooden harpsichord brings the sound-world and furniture scale of early keyboard music into the room.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 128
Dark Wood Display Hutch
Maker unrecorded
Tall cabinet with a scalloped fan crest, glass upper door with curved muntins, and lower storage doors
Why it hangs hereA tall dark-wood hutch turns storage into display through curved glasswork and a fan-shaped crest.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 129
Oval Gilt Mirror
Maker unrecorded
Tall oval mirror with a carved gilt frame, beaded inner edge, floral crest, and ornamental lower flourish; maker and date unconfirmed
Why it hangs hereIts narrow oval and carved gold frame turn a useful mirror into part of the Parlor's eighteenth-century conversation.
Soltani Music School collection; selection and placement by Andrea Soltani
No. 130
Coat and Powdered Wig Display
Maker unrecorded
Dark wooden valet stand dressed with a red period-style coat and a long white curled wig
Why it hangs hereA red coat and curled white wig turn a valet stand into a playful silhouette of Mozart's century.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 131
Small Dark Wood Side Table
Maker unrecorded
Compact rectangular table with a plain top, narrow apron, turned legs, and small casters
Why it hangs hereA small dark-wood table quietly supports the room's carved chair and more ornate objects.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 132
Golden-Seat Carved Chair
Maker unrecorded
Warm brown side chair with carved crest rail, pierced vertical splat, cabriole front legs, nailhead trim, and golden upholstery
Why it hangs hereCarved wood, a pierced splat, cabriole legs, and golden upholstery give this chair a formal but welcoming presence.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 133
Small Harpsichord Chair
Maker unrecorded
Slender wooden chair with turned back spindles, stretchered legs, and a pale blue-gray upholstered seat
Why it hangs hereA slender spindle-back chair is scaled to the harpsichord and finished with a pale blue-gray seat.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 134
Brass Scroll-Arm Chandelier
Maker unrecorded
Brass ceiling fixture with scrolling candle arms, ivory sleeves, flame-shaped bulbs, and a hanging ring finial
Why it hangs hereA brass chandelier gathers scrolls, candle arms, and a ring finial into the Mozart Parlor's overhead centerpiece.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 135
The Mozart Family (Portrait of the Mozart Family)
Johann Nepomuk della Croce (Austrian, 1736–1819), traditionally attributed
1780 or 1781 · Oil on canvas, 140.4 × 187.6 cm · Mozart Residence (Mozart-Wohnhaus), Salzburg
Why it hangs hereMozart and Nannerl share the keyboard while Leopold holds a violin beneath the portrait of their late mother.
High-resolution public-domain scan
No. 136
The Gore Family with George, third Earl Cowper
Johan Joseph Zoffany (German, active in Britain, 1733–1810)
About 1775 · Oil on canvas · Yale Center for British Art, Paul Mellon Collection, B1977.14.87
Why it hangs hereZoffany presents the Gore family and their future son-in-law through music, conversation, and an Italian domestic interior.
High-resolution museum scan; identification corrected from the school’s earlier working title
No. 137
Château of Monceaux / Month of December, from Les Maisons Royales
Gobelins Manufactory, workshop of Jean de la Croix, after cartoons following designs by Charles Le Brun
The Month of December, the Chateau of Monceaux, from Les Maisons Royales · Before 1712 · Wool and silk · J. Paul Getty Museum, 85.DD.309 · School display is a reproduction
Why it hangs hereA royal residence, winter hunt, courtly treasures, birds, and viols fill this December tapestry design.
School catalogue photograph; exact Getty record verified
No. 138
Madame Bergeret (Framed Reproduction)
After François Boucher (French, 1703–1770)
Framed reproduction after François Boucher's Madame Bergeret, cataloged by the National Gallery of Art (1946.7.3) as possibly 1766; original oil on canvas
Why it hangs hereA courtly garden portrait brings eighteenth-century dress, color, and a genuine art-historical date puzzle into the Mozart Parlor.
Soltani Music School collection; reproduction after François Boucher; original in the National Gallery of Art, Washington
No. 139
Portrait Bust of Wolfgang Amadeus Mozart
Maker unrecorded
Decorative portrait bust; maker and date unconfirmed
Why it hangs hereA small decorative bust gives Mozart's familiar face a sculptural place among the parlor objects.
School catalogue photograph
No. 140
Blue Floral Porcelain Plate
Maker unrecorded
Blue porcelain plate with gilt floral decoration; maker and date unconfirmed
Why it hangs hereBlue, gilt, and floral ornament make this porcelain plate a small field of measured color.
School catalogue photograph
No. 141
Blue-and-Gold Porcelain Creamer
Maker unrecorded
Decorative porcelain creamer with gilt handle and floral ornament; maker and date unconfirmed
Why it hangs hereA small blue-and-gold creamer turns the everyday act of serving into part of the room's ornament.
School catalogue photograph
No. 142
Floral Porcelain Gravy Boat
Maker unrecorded
Painted porcelain serving piece; maker and date unconfirmed
Why it hangs herePainted flowers and a sweeping handle give this serving piece an expressive profile from every side.
School catalogue photograph
No. 143
Framed Junk-Ship Decorative Panel
Maker unrecorded
Framed decorative panel with a gilt junk-ship motif; maker and date unconfirmed
Why it hangs hereA gilt ship motif sits inside an elaborate compact frame, bringing a distant voyage into a small decorative panel.
School catalogue photograph
No. 144
Multicolor Floral Porcelain Plate
Maker unrecorded
Painted porcelain plate with multicolor floral border; maker and date unconfirmed
Why it hangs hereA multicolor floral border circles the plate in repeated bursts, creating order around a quieter center.
School catalogue photograph
No. 145
Framed Rococo Miniature
Artist unknown
Decorative framed miniature; sitter, artist, and date unconfirmed
Why it hangs hereAn unidentified miniature compresses portraiture, ornament, and a Rococo mood into an intimate frame.
School catalogue photograph
No. 146
Painted Decorative Tin
Maker unrecorded
Decorative painted metal tin with a pastoral scene; maker and date unconfirmed
Why it hangs hereA pastoral scene turns the lid of a practical painted tin into a miniature landscape.
School catalogue photograph
No. 147
Floral Teacup and Saucer
Maker unrecorded
Painted porcelain cup and saucer; maker and date unconfirmed
Why it hangs hereA floral cup and saucer preserve the pleasure of a matched set through color, curve, and repeated ornament.
School catalogue photograph
No. 148
Mozart Portrait Medallion
Maker unrecorded
Small silver-colored round medallion or token with a raised portrait identified by the school as Mozart; country, denomination, maker, material, and date unconfirmed
Why it hangs hereMozart's likeness appears at miniature scale, turning a familiar composer portrait into a detail that rewards a close look.
Soltani Music School collection
No. 149
Miniature Grand Piano Music Box
Maker unrecorded
Miniature black-and-gold grand piano music box with hinged decorated lid, ornamental keyboard, and exposed cylinder mechanism
Why it hangs hereWith its lid properly hinged open, this miniature grand piano reveals the comb, cylinder, and gears that make its music.
Soltani Music School collection; catalogue composite from three school photographs, with the holding hand removed
No. 150
Brass Lyre Music Stand
Maker unrecorded
Decorative brass floor music stand with lyre-shaped desk
Why it hangs hereA lyre-shaped brass stand lets a musician's everyday tool join the parlor's gold and musical ornament.
Soltani Music School collection; catalogued from the authentic object in the school
Stop 7 of 9
The Beethoven Study
Golden walls, and Beethoven looking back at you from two different portraits. There are views of the Rhine in here too, and of Bonn, where he was born.
No. 151
Portrait of Ludwig van Beethoven when composing the Missa Solemnis
Joseph Karl Stieler
German · 1781–1858 · 1820 · Oil on canvas · Beethoven-Haus museum, Bonn, Germany
Why it hangs hereBeethoven holds a pencil and the manuscript of the Missa solemnis in the portrait that shaped his public image.
High-resolution public-domain scan

No. 152
Portrait of Ludwig van Beethoven
After Ferdinand Schimon (1797–1852)
After Ferdinand Schimon's 1819 portrait · School reproduction · Reproduction medium, printmaker, and date not yet verified · Original oil painting at Beethoven-Haus Bonn (B 1)
Why it hangs hereSchimon's closely observed 1819 likeness presents Beethoven without the romantic landscape or heroic staging of later images.
High-resolution public-domain scan
No. 153
Patterned Room Rug
Maker unrecorded
Warm ivory, dusty rose, muted gold, and taupe rug with three decorative panels and a central floral medallion
Why it hangs hereThree patterned panels and a central floral medallion warm the Beethoven Study without competing with its yellow walls.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 154
Rose-Red Tufted Armchair
Maker unrecorded
Wooden armchair with rose-red button-tufted back and seat, open arms, shaped crest rail, and turned front legs; maker and date unconfirmed
Why it hangs hereSet against the room's gold walls, one rose-red chair gives the Beethoven Study a strong visual resting place.
Soltani Music School collection; selection and placement by Andrea Soltani
No. 155
Matched Teal Curtain Set
Maker unrecorded
Two matched dark teal floor-length window treatments with gathered panels, tiebacks, and their original sheer white under-curtains
Why it hangs hereMatched teal panels and their original white sheers turn two windows into a coordinated room-length composition.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 156
Baldwin Upright Piano
Baldwin Piano Company
Polished walnut upright piano with a fan-pattern music desk and three pedals
Why it hangs hereA polished walnut Baldwin upright anchors the room as both instrument and major piece of furniture.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 157
Drop-Front Writing Desk
Maker unrecorded
Wooden writing desk with open drop-front work surface, small fitted compartments, turned legs, side drawers, and lower shelf; maker and date unconfirmed
Why it hangs hereAn open writing surface makes the labor behind a page of music feel immediate and physical.
Soltani Music School collection; selection and arrangement by Andrea Soltani
No. 158
Wooden Side Table with Drop-Front Drawer
Maker unrecorded
Small wooden side table with a drop-front compartment, decorative metal pull, turned legs, and lower shelf; maker and date unconfirmed
Why it hangs hereA compact wooden table becomes a deliberate reading station, with its clear top revealing the wood grain and a small stack of darker books below.
Soltani Music School collection; selection and arrangement by Andrea Soltani
No. 159
Ornate Openwork Metal Holder
Maker unrecorded
Dark-metal openwork pedestal holder with leaf, arch, medallion, and radiating relief ornament; original function, material, maker, and date unconfirmed
Why it hangs hereOpenwork leaves, arches, and medallions rise from a broad relief-work base, preserving the object's dark patina and signs of long use.
Soltani Music School collection; high-resolution school catalogue photograph
No. 160
Arched Wooden Pier Mirror
Maker unrecorded
Tall wall mirror with dark wooden arched frame, paired side columns, carved crest, and shaped lower rail; maker and date unconfirmed
Why it hangs hereArchitecture becomes furniture in this narrow mirror, where an arch, columns, and carved wood frame the reflection.
Soltani Music School collection; selection and placement by Andrea Soltani
No. 161
Brass Candle-Arm Chandelier
Maker unrecorded
Polished brass ceiling fixture with scrolling candle arms and flame-shaped bulbs
Why it hangs hereA brass-colored chandelier adds warm candle-like points of light above the Beethoven Study.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 162
Sunset on the Rhine
Barend Cornelis Koekkoek
Dutch · 1803–1862 · 1853 · Oil on canvas · The Metropolitan Museum of Art, New York City
Why it hangs hereKoekkoek's evening light settles over the Rhine, the river landscape surrounding Beethoven's birthplace at Bonn.
High-resolution public-domain scan
No. 163
Moonrise over the Sea (Mondaufgang am Meer)
Caspar David Friedrich
German · September 5, 1774 – May 7, 1840 · 1822 · Oil on canvas, 55 × 71 cm · Alte Nationalgalerie, Berlin, inv. W.S. 53
Why it hangs hereThree figures wait beside a moonlit sea as distant ships approach through Caspar David Friedrich's quiet Romantic space.
High-resolution public-domain scan
No. 164
Bonn, Ansicht von Westen (Bonn, view from the west)
Jakob Wilhelm Christian Roux (German, 1771–1830)
Copper engraving after his own drawing, from Malerische Ansichten des Rheins, Heidelberg, c. 1825 · 20.1 × 26.6 cm · Beethoven-Haus Bonn, B 2096 · School reproduction
Why it hangs hereAn early nineteenth-century panorama places Bonn along the Rhine within the landscape Beethoven knew as home.
School collection image; attribution and source reference under review
No. 165
Ansicht der Stadt und Gegend von Bonn (View of the City and Surroundings of Bonn)
Johann Andreas Ziegler (1749–1802) after Lorenz Janscha (1749–1812)
Hand-colored outline etching, plate 40 of Artaria's fifty Rhine views, Vienna 1798, seen from the Kreuzberg · Beethoven-Haus Bonn, B 2262 · School reproduction
Why it hangs hereA hand-colored Rhine view presents Bonn and its surrounding landscape near the end of the eighteenth century.
School collection image; attribution under review
No. 166
Napoleon Crossing the Alps
Jacques-Louis David
French · August 30, 1748 – December 29, 1825 · 1801–1805 · Oil on canvas · First version 1800–1801, Musée national du château de Malmaison; one of five versions
Why it hangs hereDavid transforms Napoleon's Alpine crossing into a controlled image of command, ambition, and political myth.
High-resolution public-domain scan
No. 167
Die Pfarrkirche und Gottesacker auf der Landstrasse
Johann Andreas Ziegler
Print · Wien Museum
Why it hangs hereZiegler records church, cemetery, and street life in the Vienna where Beethoven spent most of his adult years.
Wien Museum CC0 scan
No. 168
Landscape Painting
Artist unknown
School collection; title and artist not yet confirmed
Why it hangs hereAn unidentified landscape creates a quiet interval among the room's portraits, maps, and historic views.
School catalogue photograph
No. 169
Illuminated Manuscript Facsimile
Maker unrecorded
Decorative facsimile after a medieval illuminated manuscript
Why it hangs hereA decorative illuminated-manuscript facsimile celebrates the written page as an object of color, pattern, and memory.
School catalogue photograph
No. 170
Quill and Inkwell
Maker unrecorded
Decorative metal writing set with glass inkwell and feather quill
Why it hangs hereA feather quill and glass inkwell make the physical act of writing visible beside a room devoted to composition.
School catalogue photograph
No. 171
Candle Wall Sconce
Maker unrecorded
Decorative wall sconce
Why it hangs hereA candle-form wall sconce lifts warm light upward against the Beethoven Study's golden wall.
School catalogue photograph
No. 172
Two Brass Candlesticks
Maker unrecorded
Two differently proportioned brass-colored candlesticks with ivory tapers; the documentary source retains the separately catalogued stemmed cup where it physically overlaps the left base
Why it hangs hereDifferent heights and profiles make these candlesticks a conversation rather than a mechanically matched set.
Soltani Music School collection; paired and arranged by Andrea Soltani
No. 173
Small Brass Stemmed Cup
Maker unrecorded
Small flared brass-colored cup on a narrow stem and round foot; function, maker, material, and date unconfirmed
Why it hangs hereA tiny stemmed cup proves that scale, silhouette, and patina can give even the smallest object a presence.
Soltani Music School collection; selection and placement by Andrea Soltani
No. 174
Bust of Ludwig van Beethoven
Maker unrecorded
Decorative composer bust
Why it hangs hereA decorative bust gives Beethoven's intense, familiar likeness weight, profile, and changing shadow.
School catalogue photograph
No. 175
Blue Floral Teacup and Saucer
Maker unrecorded
Painted porcelain cup and saucer; maker and date unconfirmed
Why it hangs hereA blue floral cup and saucer add a cool domestic note to the Study's golden walls and Romantic landscapes.
School catalogue photograph
No. 176
Wooden Music Stand with Open Score
Maker unrecorded
Dark carved wooden floor stand displayed with an open musical score
Why it hangs hereA carved wooden stand holds an open score, making active study part of the room's historical composition.
Soltani Music School collection; catalogued from the authentic object in the school
No. 177
Green-Upholstered Piano Stool
Maker unrecorded
Small square piano stool with worn dark-green upholstery and turned wooden legs
Why it hangs hereA worn green seat and turned wooden legs preserve the evidence of use that gives this piano stool its character.
Soltani Music School collection; catalogued from the authentic object in the school
Stop 8 of 9
Beatles Den
Wood paneling all the way around, Russell Green on the door, and crisp Capitol White trim. Abbey Road, Liverpool, a Penny Lane street sign, and the room's own furnishings and objects turn the Den into a layered portrait of musical memory.
No. 178
Abbey Road (album cover photograph)
Iain Macmillan (Scottish, 1938–2006)
1969 · Photograph · Album-cover artwork remains copyrighted
Why it hangs hereSix exposures, ten hurried minutes, and one London crossing produced a picture recognized almost anywhere.
School collection reproduction; album artwork copyright applies

No. 179
The Beatles in London
Attributed in the school catalogue to Dezo Hoffmann; exact attribution unverified
Black-and-white group photograph with applied Beatles display title; framed reproduction in the Soltani Music School collection
Why it hangs hereThe four Beatles stride through London in a graphic black-and-white image framed for the Beatles Den.
Soltani Music School framed reproduction; photographer attribution and reproduction rights require confirmation
No. 180
Cream Shag Room Rug
Maker unrecorded
Large warm-cream rectangular rug with a deep irregular shag pile
Why it hangs hereDeep cream pile softens the Den and gives its wood paneling the unmistakable comfort of a lived-in listening room.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 181
Midcentury Side Table
Maker unrecorded
Two-tier mid-century modern side table with rounded rectangular walnut-look surfaces and tapered legs
Why it hangs hereTwo rounded tiers make room for the small things that turn a music room into a place where people stay awhile.
Soltani Music School collection; reconstructed from three photographs of the actual table
No. 182
Penny Lane street-sign display
Maker unrecorded; referencing Lennon–McCartney's song
Decorative display assembled from a Liverpool street-sign motif
Why it hangs hereA real Liverpool place became a record heard around the world, then returned here as the room’s street sign.
School collection photograph
No. 183
Maroon Lake (traditional title)
Attributed in the school catalogue to Carl Hoerman (1885–1955)
School collection print; title and attribution remain unverified
Why it hangs hereA quiet mountain lake gives the eye a rest between the Den’s bright memorabilia and textured furnishings.
School collection photograph; attribution under review
No. 184
Lower Falls of the Yellowstone
Attributed in the school catalogue to Frank Jay Haynes
School reproduction after a Yellowstone view associated with Haynes; exact source image, date, and reproduction process unconfirmed
Why it hangs hereHaynes helped Americans picture Yellowstone, sending the spectacle of the national park into homes far beyond the falls.
School collection reproduction; source identification under review
No. 185
The Beatles albums · photos and album list
Maker unrecorded
Modern commemorative reproduction combining photographs, discography, and facsimile signatures
Why it hangs herePhotographs, album titles, and facsimile signatures turn a short recording career into one framed overview.
School collection photograph; underlying photographs and artwork remain copyrighted
No. 186
Sunburst Mirror
Maker unrecorded
Decorative convex mirror in a radiating frame
Why it hangs hereA small convex center and radiating frame send light outward like a visual burst of sound.
School catalogue photograph
No. 187
Metal Wall Plaque Pair
Maker unrecorded
Pair of square relief plaques with stylized musical imagery
Why it hangs hereTwo square reliefs share one rhythm, a compact visual duet designed to be read together.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 188
Crocheted Blanket
Maker unrecorded
Handmade multicolored crocheted blanket with repeating geometric motifs
Why it hangs hereRepeated stitches and changing bands of color bring handmade rhythm to the room’s seating area.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 189
Midcentury Lounge Chair
Maker unrecorded
Low wooden lounge chair with upholstered seat and back
Why it hangs hereLow, open, and comfortable, this chair helps the Beatles Den feel like a listening room rather than a display case.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 190
Orange Loveseat
Maker unrecorded
Compact upholstered loveseat in warm orange fabric
Why it hangs hereOrange upholstery warms the Den and turns its wood-paneled corner into a place for families to settle in.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 191
Five-Globe Floor Lamp
Maker unrecorded
Brass-toned floor lamp with five spherical glass shades arranged on branching arms
Why it hangs hereFive glowing globes branch at different heights, giving the Den its own sculptural constellation.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 192
Brass Table Lamp
Maker unrecorded
Decorative brass-toned table lamp with shaped shade and ornamental base
Why it hangs hereA smaller brass-toned lamp adds a concentrated pool of light beside the Den’s darker wood furniture.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 193
Brass Owl Set
Maker unrecorded
Matched set of two small brass owl figures
Why it hangs hereTwo small owls repeat the same brass form with just enough variation to reward a second look.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 194
Round Pleated Pillow
Maker unrecorded
Circular decorative pillow with radiating pleats and central button
Why it hangs herePleats radiate from one central button, turning an ordinary cushion into a small exercise in rhythm and geometry.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 195
Record Player Console
Maker unrecorded
Wooden console cabinet with integrated turntable and audio controls
Why it hangs hereThis console makes listening history tangible: recorded music once arrived through a piece of furniture.
School catalogue photograph; background removed, perspective corrected, and color balanced
No. 196
Two-Tier Linen Drum Ceiling Light
Maker unrecorded
Illuminated two-tier natural linen flush-mount ceiling fixture
Why it hangs hereTwo linen drums diffuse the ceiling light, warming the paneling without competing with the room’s collection.
Soltani Music School collection; catalogue image reconstructed from a new school photograph
No. 197
Brass Crane Sculptures (Pair)
Maker unrecorded
Pair of brass crane sculptures: one standing upright and one with wings extended
Why it hangs hereOne crane stands still while the other opens its wings, giving this brass pair a built-in sense of movement.
Soltani Music School collection; museum treatment reconstructed only from school photographs
Stop 9 of 9
The Gershwin Apartment
Cream walls and a green door. Gershwin is in here at the piano, along with Gauguin, Cezanne, Picasso, and Rousseau. It holds the biggest mix of styles anywhere in the house.
No. 198
[Portrait of George Gershwin]
Carl Van Vechten
American · 1880–1964 · 1937 (specifically March 28, 1937) · Gelatin silver print
Why it hangs hereCarl Van Vechten photographed Gershwin on March 28, 1937, preserving the composer only months before his death.
High-resolution public-domain scan

No. 199
George Gershwin Self-Portrait
George Gershwin
1934 · Oil on canvas board · National Portrait Gallery, Smithsonian Institution, NPG.66.48
Why it hangs hereGershwin painted himself at the piano in 1934, recording the private work behind his public music.
High-resolution public-domain scan
No. 200
George Gershwin at the Piano, Inscribed June 17, 1930
Photographer unrecorded
Loose photographic print identified by the school as George Gershwin at a piano, with a handwritten inscription and clearly visible date, June 17, 1930; photographer and inscription wording unconfirmed
Why it hangs hereA handwritten date turns this small piano portrait into an object that feels personal, even while key questions remain open.
Soltani Music School collection; photographer unrecorded
No. 201
Untitled (candid portrait of two men)
Photographer unknown
Black-and-white candid photograph in a tiered wooden frame; sitters, photographer, date, place, and process unconfirmed
Why it hangs hereAn unidentified snapshot keeps an ordinary friendship on view beside images of famous twentieth-century lives.
Photographed and scanned here at the school
No. 202
The House with the Cracked Walls
Paul Cézanne
French · 1839–1906 · 1892–1894 · Oil on canvas · The Metropolitan Museum of Art (The Met), New York City
Why it hangs hereCézanne painted one abandoned house and kept the unsettling crack that another artist might have repaired.
High-resolution public-domain scan
No. 203
Three Musicians
Pablo Picasso
1921 · Oil on canvas · Museum of Modern Art, New York
Why it hangs herePainted in 1921, the same year this house was built, Picasso’s musicians turn a trio into interlocking color and shape.
Reference image; artwork copyright applies
No. 204
Gardanne
Paul Cézanne
French · 1839–1906 · 1885–86 · Oil on canvas · The Metropolitan Museum of Art, New York, 57.181
Why it hangs hereCézanne turned a Provençal hill town into faceted blocks, making solid buildings feel newly possible in paint.
High-resolution public-domain scan
No. 205
Myself: Portrait-Landscape (Moi-même, portrait-paysage)
Henri Rousseau
French · 1844–1910 · 1890 · Oil on canvas, 146 × 113 cm · National Gallery Prague, inv. O 3221
Why it hangs hereRousseau placed himself, palette in hand, against modern Paris and insisted that he belonged in its artistic story.
High-resolution public-domain scan
No. 206
Decorative Landscape Panels (Pair)
Maker unrecorded
Pair of Asian-style landscape panels; exact maker and date unconfirmed
Why it hangs hereTwo landscape panels are meant to be compared, letting small shifts in line and scenery unfold like paired musical phrases.
School catalogue photograph
No. 207
Village Landscape Painting
Artist unknown
School collection; title, artist, and date not yet confirmed
Why it hangs hereA compact village enters the collection without a famous name, asking visitors to begin with what they can actually see.
School catalogue photograph
No. 208
Cubist Pianist Sculpture
Maker unrecorded
Carved wooden sculpture of three interlocking musicians
Why it hangs hereThree carved figures lock around one instrument, making ensemble balance visible in wood.
School catalogue photograph
No. 209
Tropical Garden Painting
Artist attribution under review
School collection; title and artist not yet confirmed
Why it hangs hereDense leaves and saturated color give the room a pocket of imagined abundance.
School catalogue photograph
No. 210
Cathedral-Style Tabletop Radio
Maker unrecorded
Vintage arched wooden radio; model and date not yet confirmed
Why it hangs hereAn arched tabletop radio recalls the decade when music, news, and voices first began filling American living rooms by air.
School catalogue photograph
No. 211
Pierced Covered Bowl
Maker unrecorded
Black-and-gold decorative covered bowl
Why it hangs herePierced pattern and a fitted lid give this small black-and-gold bowl a measured rhythm of openings and solids.
School catalogue photograph
No. 212
Egyptian-Style Cat Figurine
Maker unrecorded
Decorative cat figure with colored collar details
Why it hangs hereA watchful cat brings a small note of ceremony and humor to the room’s shelves.
School catalogue photograph
No. 213
Gold Glass Bowl
Maker unrecorded
Shallow decorative bowl with an intentionally aged metallic finish
Why it hangs hereA shallow reflective bowl gathers the room’s greens, creams, and window light into a surface that never looks quite the same twice.
School catalogue photograph
No. 214
Elephant Bookend
Maker unrecorded
Black ceramic decorative bookend with silver accents
Why it hangs hereThis elephant makes a useful bookend playful, proof that function does not have to surrender personality.
School catalogue photograph
No. 215
Classical Bust with Abstract Linework
Maker unrecorded
Decorative classical-style bust with white linear surface design
Why it hangs hereA classical portrait form is interrupted by modern white linework, letting two visual languages occupy one object.
School catalogue photograph
No. 216
Abstract Musical Composition
Attributed in the school catalogue to Pablo Picasso; exact work unverified
Modernist print with abstracted instruments; exact title, artist, date, medium, edition, and publisher remain under review
Why it hangs hereAbstracted instruments crowd the picture plane, turning music into a puzzle of overlapping shapes.
School catalogue photograph; artist identification supplied by Soltani Music School
No. 217
Decorative Table Lamp
Maker unrecorded
Black vase-form lamp with floral and bird decoration
Why it hangs hereBirds, flowers, and warm light turn a practical lamp into one of the room’s painted objects.
School catalogue photograph
No. 218
Tiered Prismatic-Glass Ceiling Fixture
Maker unrecorded
Flush-mounted circular ceiling fixture with three descending tiers of clear prismatic glass elements and a warm metal rim; maker and date unconfirmed
Why it hangs hereThree rings of clear prisms turn one ceiling light into a compact piece of Jazz Age sparkle.
Soltani Music School collection; selection and placement by Andrea Soltani
No. 219
Art Deco-Style Glass and Metal Wall Sconce
Maker unrecorded
Wall light with a ribbed central glass cylinder and symmetrical stepped horizontal metal bands; maker, model, and date unconfirmed
Why it hangs hereStepped metal bands and a ribbed glass center compress the Gershwin Apartment's geometric mood into one wall light.
Soltani Music School collection; selection and placement by Andrea Soltani
No. 220
Felt Hat
Maker unrecorded
Tan felt hat with black ribbon
Why it hangs hereA simple felt hat keeps one human trace among the room’s paintings, books, instruments, and polished objects.
School catalogue photograph
No. 221
Decorated Wooden Box
Maker unrecorded
Vintage wooden box with inset theatrical scene
Why it hangs hereA tiny theatrical scene turns the lid of a wooden box into a stage.
School catalogue photograph
No. 222
Terracotta-Colored Bottle Vase
Maker unrecorded
Unglazed-looking bottle-form vase with rounded shoulders, narrow neck, and matte terracotta-colored surface; maker, material, and date unconfirmed
Why it hangs hereA quiet bottle shape and warm matte surface give the Gershwin Apartment a pause between its brighter glass and metal objects.
Soltani Music School collection; selection and placement by Andrea Soltani
No. 223
Glass and Brass-Tone Pen Holder
Maker unrecorded
Open rectangular holder with reflective glass panels, serrated brass-colored edging, and visible joint hardware; maker and date unconfirmed
Why it hangs hereAn empty glass-and-brass holder turns a practical desk object into a study in reflection, serrated edging, and patina.
Soltani Music School collection; selected and used by Andrea Soltani
No. 224
Glass Ashtray with Display Cigar
Makers unrecorded
Rectangular clear glass ashtray displayed with an unlit cigar; cigar brand, object makers, and dates unconfirmed
Why it hangs hereThis staged pairing adds a period-room detail while remaining exactly what it is: an arranged display, not evidence of use.
Soltani Music School collection; arranged by Andrea Soltani
No. 225
Astatic Table Microphone and Stand
Astatic (brand visible); model unconfirmed
Round chrome-colored microphone head with woven grille, cylindrical body, side control, cast circular table stand, and visible ASTATIC label; model and date unconfirmed
Why it hangs hereA round grille, chrome body, and weighty desk stand bring the physical act of broadcasting into the Gershwin Apartment.
Soltani Music School collection
No. 226
Cut-Pattern Glass Decanter and Coupe Pair
Makers unrecorded
Clear square decanter with faceted stopper displayed with two shallow stemmed coupe glasses; makers, dates, exact glass type, and contents unconfirmed
Why it hangs hereOne square decanter and two shallow coupes turn reflected light into a three-part tabletop arrangement.
Soltani Music School collection; grouped and arranged by Andrea Soltani
No. 227
Two Child Profile Studies
Artist unknown
Graphite on paper; sitter, artist, and date unconfirmed
Why it hangs hereTwo graphite profiles give young faces the patient attention usually reserved for formal portraits.
School catalogue photograph
No. 228
Modern Striped and Textured Room Rug
Maker unrecorded
Ivory low-pile rug with narrow charcoal stripes, a warm-brown textured field, and a broad pale border
Why it hangs herePrecise charcoal stripes meet a broad warm field beneath the piano, giving the Gershwin Apartment a quiet graphic foundation.
Soltani Music School collection; catalogue reconstruction from school room photographs
No. 229
Baldwin Hamilton Upright Piano and Bench
Baldwin Piano Company
Glossy black Baldwin Hamilton upright piano with matching bench
Why it hangs hereThe Baldwin Hamilton upright is the working center of the room, built for the kind of daily use a music school asks of an instrument.
Soltani Music School collection; catalogue image reconstructed from new school photographs
No. 230
Green and White Stained-Glass Panels (Pair)
Maker unrecorded
Companion tall leaded-glass panels with green borders, curving botanical motifs, and opalescent white sections; maker and date unconfirmed
Why it hangs hereTwo tall green-and-white panels frame the Gershwin Room piano like decorative architectural punctuation.
Soltani Music School collection; source-guided museum reconstruction with owner-directed mirrored lower design
No. 231
Adjustable Piano Stool
Maker unrecorded
Antique dark-wood adjustable piano stool with oval seat, threaded height mechanism, turned supports, and casters
Why it hangs hereA threaded mechanism lets this worn wooden piano stool rise and fall for the player who needs it next.
Soltani Music School collection; museum treatment reconstructed only from school photographs
No. 232
Open Secretary Desk and Bookcase
Maker unrecorded
Dark wooden secretary with glazed bookcase sections, open drop-front writing surface, fitted interior, drawers, and display top; maker and date unconfirmed
Why it hangs hereBooks, photographs, a lamp, and an open writing surface make this secretary the Gershwin Apartment's working cabinet of ideas.
Soltani Music School collection; selection, styling, and placement by Andrea Soltani
Come see it in person
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